Ever since Sean Bonnette and Ben Gallaty formed AJJ back in 2004, it’s felt like the world has been playing catch-up. That’s because the band—completed these days by guitarist/keyboard player Preston Bryant, cellist Mark Glick and (relatively) new drummer Kevin Higuchi—has always woven apocalyptic themes and imagery into many of its songs and lyrics. They even self-released a record called Good Luck Everybody in January 2020, as if they knew what was coming. Now though, in 2023, with their eighth studio record and debut on Hopeless Records, Disposable Everything, it feels like the world is finally aligned with AJJ’s doom-laden prophecies – albeit one that still shimmers with hope.

For singer Sean Bonnette, the record is less a prophesizing mirror held to a burning world than one inspired by personal grief. In fact, for him, this record is about what happens after the collapse—on both an intimately personal level and a much broader scale. “A large part of Disposable Everything is the terrible thing I’ve been imagining finally happened,” he explains. “A big theme is my mom’s death, which is something I think everyone lives in terror of. But once it happens and you’re still alive, you figure out how to move on. It is, in some weird way, our happiest record.”

Anybody familiar with the band knows that juxtaposition—between apocalyptic despair and the warm comfort of an electric blanket—is nothing new for AJJ, but these 14 tracks are the most firm example of that to date. Recorded with David Jerkovich over the first half of 2022 in various studios across the Southwest, Disposable Everything truly captures the simultaneous terror and wonder of being alive. Throughout the nearly 20 years since the band’s inception, AJJ’s music has always found its way to the irreverent, optimistic pessimists of the world. For example, 2020’s “Body Terror Song” became a viral hit on TikTok, an app that no one in the band was even on at the time.