Celebrating their 27th year, Vancouver Canadian musician Tom Landa, is looking back on the legacy of his much-loved folk rock band The Paperboys. For just over a quarter century, The Paperboys have been touring the world and lighting up stages with their freewheeling blend of influences from Celtic and bluegrass, to Mexican son jarocho, brass bands, and Canadian roots. They have been called everything from Cajun slamgrass to worldbeat, they’ve received a Juno award (Canadian Grammy), plus two Juno nominations, two West Coast Music Awards, released nine albums, and regularly play two-night bills in the Pacific Northwest. But that’s not what matters to Landa now. “What means more to me than anything else is to receive letters, emails, or hear stories from people who tell me that our songs helped them through a tough time, or that they used one of our songs for their wedding, or that an album of ours was the soundtrack of their summer. At the end of the day, accolades are nice, but they are nothing compared to connecting with people.” Landa’s song ‘Better Than The Last’ has become somewhat of an anthem for people who have gone through hard times.

Celebrating their 27th year, Vancouver Canadian musician Tom Landa, is looking back on the legacy of his much-loved folk rock band The Paperboys. For just over a quarter century, The Paperboys have been touring the world and lighting up stages with their freewheeling blend of influences from Celtic and bluegrass, to Mexican son jarocho, brass bands, and Canadian roots. They have been called everything from Cajun slamgrass to worldbeat, they’ve received a Juno award (Canadian Grammy), plus two Juno nominations, two West Coast Music Awards, released nine albums, and regularly play two-night bills in the Pacific Northwest. But that’s not what matters to Landa now. “What means more to me than anything else is to receive letters, emails, or hear stories from people who tell me that our songs helped them through a tough time, or that they used one of our songs for their wedding, or that an album of ours was the soundtrack of their summer. At the end of the day, accolades are nice, but they are nothing compared to connecting with people.” Landa’s song ‘Better Than The Last’ has become somewhat of an anthem for people who have gone through hard times.

Carsie Blanton writes anthems for a world worth saving. Inspired by artists including Nina Simone and Randy Newman, her songs encompass a wide range of genres, from sultry pop to punk-tinged Americana. Whether alone with her electric guitar or fronting her four-piece “handsome band,” Carsie delivers every song with an equal dose of moxie and mischief, bringing her audience together in joyful celebration of everything worth fighting for.

“The hardest thing to do,” says internationally beloved soul-blues rocker Tommy Castro, “is be yourself, take some chances and bring your fans along with you.” Throughout his long, constantly evolving career, guitarist, singer and songwriter Tommy Castro has always remained true to himself while exploring, growing and creating new music, and he has taken his thousands of devoted fans right along with him.

Since his solo debut in 1994, he’s made 16 albums—the last seven for Alligator—each its own unique chapter in the book of Tommy Castro. Ranging from horn-fueled R&B to piping hot blues to fiery, stripped-down rock ‘n’ roll, each release is solidly built upon Castro’s unshakable musical foundation—a dynamic mix of 1960s-influenced guitar-fueled blues, testifying Memphis-soaked blue-eyed soul and Latin-tinged East San Jose funk, all driven by Castro’s grab-you-by-the-collar vocals and passionate guitar work. Blues Revue declared, “Tommy Castro can do no wrong.”

“The hardest thing to do,” says internationally beloved soul-blues rocker Tommy Castro, “is be yourself, take some chances and bring your fans along with you.” Throughout his long, constantly evolving career, guitarist, singer and songwriter Tommy Castro has always remained true to himself while exploring, growing and creating new music, and he has taken his thousands of devoted fans right along with him.

Since his solo debut in 1994, he’s made 16 albums—the last seven for Alligator—each its own unique chapter in the book of Tommy Castro. Ranging from horn-fueled R&B to piping hot blues to fiery, stripped-down rock ‘n’ roll, each release is solidly built upon Castro’s unshakable musical foundation—a dynamic mix of 1960s-influenced guitar-fueled blues, testifying Memphis-soaked blue-eyed soul and Latin-tinged East San Jose funk, all driven by Castro’s grab-you-by-the-collar vocals and passionate guitar work. Blues Revue declared, “Tommy Castro can do no wrong.”

Internationally-acclaimed guitar virtuoso Trace Bundy must be seen, not just heard. His music is poetry in motion, using harmonics, looping, multiple capos, and his unique banter and stage presence to deliver an unforgettable live concert experience. Listening to his intricate arrangements is one thing, but seeing the fan-dubbed “Acoustic Ninja” play live confounds even the most accomplished music lovers as to how one person can do all that with just two hands and ten fingers.

Internationally-acclaimed guitar virtuoso Trace Bundy must be seen, not just heard. His music is poetry in motion, using harmonics, looping, multiple capos, and his unique banter and stage presence to deliver an unforgettable live concert experience. Listening to his intricate arrangements is one thing, but seeing the fan-dubbed “Acoustic Ninja” play live confounds even the most accomplished music lovers as to how one person can do all that with just two hands and ten fingers.

Dar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonatha Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United States.

Dar Williams’ lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to “admire that yonder star,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can’t.

Dar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonatha Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United States.

Dar Williams’ lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to “admire that yonder star,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can’t.

Dave Mason left Traffic in 1969 to pursue a solo career in the U.S. Dave has penned over 100 songs, has 3 gold albums: Alone Together, Dave Mason, Mariposa De Oro, and platinum album Let It Flow, which contained the top-ten single “We Just Disagree”.

In addition to cranking out hits, Dave has performed on, or contributed to, a number of famous albums, including: The Rolling Stones’ Beggars Banquet, George Harrison’s All Things Must Pass, Paul McCartney and Wings’ Venus and Mars, and Jimi Hendrix’s Electric Ladyland. Mason is featured playing acoustic guitar in “All Along the Watchtower” on Electric Ladyland, a favorite in Dave’s live shows!

Dave, a prolific artist in his own right, has collaborated with an enviable list of the who’s who in the music industry … Jimi Hendrix, George Harrison, Paul McCartney, Stevie Wonder, Michael Jackson, Graham Nash, Stephen Stills, Rita Coolidge, Delaney & Bonnie, Leon Russell, Ron Wood, Steve Winwood, Eric Clapton, and Jim Capaldi, just to name a few.

Dave Mason left Traffic in 1969 to pursue a solo career in the U.S. Dave has penned over 100 songs, has 3 gold albums: Alone Together, Dave Mason, Mariposa De Oro, and platinum album Let It Flow, which contained the top-ten single “We Just Disagree”.

In addition to cranking out hits, Dave has performed on, or contributed to, a number of famous albums, including: The Rolling Stones’ Beggars Banquet, George Harrison’s All Things Must Pass, Paul McCartney and Wings’ Venus and Mars, and Jimi Hendrix’s Electric Ladyland. Mason is featured playing acoustic guitar in “All Along the Watchtower” on Electric Ladyland, a favorite in Dave’s live shows!

Dave, a prolific artist in his own right, has collaborated with an enviable list of the who’s who in the music industry … Jimi Hendrix, George Harrison, Paul McCartney, Stevie Wonder, Michael Jackson, Graham Nash, Stephen Stills, Rita Coolidge, Delaney & Bonnie, Leon Russell, Ron Wood, Steve Winwood, Eric Clapton, and Jim Capaldi, just to name a few.

Howie Day’s emotionally resonant lyrics and inventive melodies have earned him both critical praise and a legion of devoted fans. He is known for his energetic, heartfelt shows, where he connects with audiences through the strength of his songwriting and his quirky sense of humor. Day’s warm tenor voice “soars into fluttering, high registers, but also grates with real, pleading grit,” as one critic put it. After sales of over a million records and two Top 10 hits, Day is back on the road in support of his new studio album, Lanterns.

Glen Phillips Explores Universal Themes Of Transition in His New Solo Effort Swallowed by the New Phillips Deepens the Personal Aspects of his Songwriting with a Quiet, Intimate Album Glen Phillips has always been a courageous and inviting songwriter. During his years as lead singer of Toad the Wet Sprocket, the band’s elegant folk/pop sound and his honest, introspective lyrics helped them forge a close bond with their fans. Since starting his solo career, Phillips has pared his music down to its emotional core, concentrating on the simple truths of love and relationships, with a profound spiritual understanding. Swallowed by the New takes on life’s difficult transitions and delivers some of the Phillips’ most vulnerable songs. “I made this album during the dissolution of a 23 year marriage, Phillips says. “A major chapter of my life was coming to a close, and I discovered early on that I had to work hard to get through the transition with compassion and clarity. These songs were a big part of that process.”

As the Canadian musician behind Sunset Rubdown and Moonface, co-frontman of Wolf Parade, songwriting member of Swan Lake, and keyboardist for Frog Eyes and Fifths of Seven, Spencer Krug has been a major player on over twenty-five releases within the past two decades. He currently writes and releases music under his own name, and performs a mix of new and old material on stage.

Lucy Kaplansky is an acclaimed singer-songwriter of rare talent, “a truly gifted performer with a bag full of enchanting songs” (The New Yorker) and “the troubadour laureate of modern city folk” (The Boston Globe). She has released eight critically acclaimed CDs, two of which were awarded Best Pop Album of the year by the Association for Independent Music. National Public Radio described her 2012 album “Reunion” as “a master class in making the personal universal,” and her most recent album “Everyday Street” has been dubbed“ spare and luminous” and “remarkable.”

Paris Chansons is an exciting French band with an Eastern European gypsy twist! Recently featured on the French news, they are known for their original renditions of French favorites from Aznavour, Dassin, Piaf, Macias, Adamo, Dalida, all the way to contemporary artists like Zaz. Their exhilarating performances are punctuated with gypsy jazz standards as well as classics in Russian, Italian, and other languages.

Paris Chansons is an exciting French band with an Eastern European gypsy twist! Recently featured on the French news, they are known for their original renditions of French favorites from Aznavour, Dassin, Piaf, Macias, Adamo, Dalida, all the way to contemporary artists like Zaz. Their exhilarating performances are punctuated with gypsy jazz standards as well as classics in Russian, Italian, and other languages.

I’m a lot of things in no particular order… a preacher’s son, a brother, a husband, a dad, a real estate lover, a major-label artist, an independent artist, an opener, a headliner, a very self-conscious dancer (think “Footloose”, only without the cathartic cutting loose), a gardener, a wanna be surfer, a person who has needed therapy, a pickleball player, a barstool theologian, and this next one kind of goes without saying because you’re here reading my bio.. I’m a singer-songwriter.

I’ve written a lot of songs. Probably approaching around 1,000 songs now… to me, when I wrote them, they were all good songs. The luxury of time has informed me, some of the songs were maybe just good to me. And some of the songs, inexplicably, have millions upon millions of listeners. Meanwhile, others have tens upon tens. I don’t know why, I just write them and set them free.

Ultimately, I’m trying my best to be honest, and write a song that I, and you can both love. I’m gonna keep trying. I’m so grateful that you have listened. Be it once, or be it a hundred times. I’ve got big love for you. I’ll be over here chopping away and reminding myself to be vulnerable. Peace and Love, XOXO Tyrone

I’m a lot of things in no particular order… a preacher’s son, a brother, a husband, a dad, a real estate lover, a major-label artist, an independent artist, an opener, a headliner, a very self-conscious dancer (think “Footloose”, only without the cathartic cutting loose), a gardener, a wanna be surfer, a person who has needed therapy, a pickleball player, a barstool theologian, and this next one kind of goes without saying because you’re here reading my bio.. I’m a singer-songwriter.

I’ve written a lot of songs. Probably approaching around 1,000 songs now… to me, when I wrote them, they were all good songs. The luxury of time has informed me, some of the songs were maybe just good to me. And some of the songs, inexplicably, have millions upon millions of listeners. Meanwhile, others have tens upon tens. I don’t know why, I just write them and set them free.

Ultimately, I’m trying my best to be honest, and write a song that I, and you can both love. I’m gonna keep trying. I’m so grateful that you have listened. Be it once, or be it a hundred times. I’ve got big love for you. I’ll be over here chopping away and reminding myself to be vulnerable. Peace and Love, XOXO Tyrone

One of Africa’s most popular and recognized musicians, Habib Koité is a modern troubadour with extraordinary appeal because Koité’s musicianship, wit and wisdom translate across cultures. Hailing from the musically prolific West African nation of Mali, the guitarist and composer has been named the biggest pop star of the region by Rolling Stone. Over the past decade, his artistry and magnetic personality have made him an international star, delighting audiences the world over, and placing him firmly among the leading figures in contemporary world music. Bonnie Raitt proclaims, “first there was Hendrix, then Stevie Ray, and now Habib.”